Pier paolo pasolini comizi d amore

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pier paolo pasolini comizi d amore

Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from, young and old women if they are men's.

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Sign in. Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from, young and old women if they are men's equals, men and women if a woman's virginity matters, how they view homosexuals, how sex and honor connect, if divorce should be legal, and if they support closing the brothels the Merlina Act. He periodically checks in with Alberto Moravia and Cesare Musatti. Bersani is intrusive and judgemental, prodding those who answer. The film's thesis: despite the booming post-war economy, Italians' attitudes toward sex are either rigidly Medieval the poor and the South or muddled and self-censoring the bourgeoisie and the North. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! IMDb More.

Love Meetings Comizi d'amore is a feature-length documentary, shot by Italian writer and director Pier Paolo Pasolini , who also acts as the interviewer, appearing in many scenes. Typical for him, Pasolini's subject is sex: he questions representatives from a variety of social brackets on topics such as virginity , prostitution , homosexuality and sex education.
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Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from, young and old women if they are men's equals, men and women if a woman's virginity matters, how they view homosexuals, how sex and honor connect, if divorce should be legal, and if they support closing the brothels the Merlina Act. He periodically checks in with Alberto Moravia and Cesare Musatti. Bersani is intrusive and judgemental, prodding those who answer. The film's thesis: despite the booming post-war economy, Italians' attitudes toward sex are either rigidly Medieval the poor and the South or muddled and self-censoring the bourgeoisie and the North. Pier Paolo Pasolini Alberto Moravia.

Celebrities like Catherine Deneuve and Antonella Lualdi were guests of the pseudo-pilot, and they were invited to choose from among candidates who try to seduce them. After each couple is formed, the audience moves on stage to debate. As a scripted performance not meant to be broadcast, this metalinguistic production uses TV as both the form and the content for an anthropological analysis on the impact of TV entertainment on society at large, and Italian society in particular. At that point he had already written and directed Accattone and Mamma Roma , both focussed on underclass life in Rome, and put together La Rabbia , juxtaposing a recited text with found footage and photographs of World War II. Matthew , , a biographical drama on Jesus Christ inspired by the Gospel of the apostle Matthew. The questions that Pasolini candidly poses to his interviewees are never provocative and never assume a specific point of view.



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Love Meetings (Comizi d'amore) is a feature-length documentary, shot by Italian writer and director Pier Paolo Pasolini, who also acts as the interviewer.
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