Il bianco e dolce cigno

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Jacques Arcadelt

il bianco e dolce cigno

Il bianco e dolce cigno (Arcadelt, Jacob) .. Work Title, Il bianco e dolce cigno. Alt ernative. Title. Composer, Arcadelt, Jacob. I-Catalogue NumberI-Cat. No. IJA 6.

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Or browse results titled :. Composer from UK born in , concentrating on lyrical and tonal works for chamber music combinations, solo voice and choral works. Contact David Warin Solomons. Streaming and Download help. If you like Phyllis with Bells on, you may also like:. Find Sound by Shards. Rippling electronics bubble up under gorgeous choral vocals on an LP that feels blissful and transcendent.

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Jacques Arcadelt also Jacob Arcadelt ; c. Although he also wrote sacred vocal music, he was one of the most famous of the early composers of madrigals ; his first book of madrigals, published within a decade of the appearance of the earliest examples of the form, was the most widely printed collection of madrigals of the entire era. Arcadelt was the most influential member of the early phase of madrigal composition, the "classic" phase; it was through Arcadelt's publications, more than those of any other composer, that the madrigal became known outside of Italy. Later composers considered Arcadelt's style to represent an ideal; later reprints of his first madrigal book were often used for teaching, with reprints appearing more than a century after its original publication. He moved to Italy as a young man, and was present in Florence by the late s, therefore having an opportunity to meet or work with Philippe Verdelot , who wrote the earliest named madrigals.

Though the madrigal genre in Italy would dominate the national musical culture for most of the sixteenth century and into the next, most of the early practitioners were oltremontani, Frenchmen and Netherlanders working for the sparkling Renaissance courts of the Italian peninsula. Many of them had their early musical training in the intricate polyphony of the Church, but, once in Italy, they mingled this serious "classical" style with the simpler charm of popular vernacular music, especially when setting the often amorous and even erotic poetry fashionable in the courts. Jacques Arcadelt , a Fleming who worked in Florence and then for the papal establishment, published nearly madrigals in roughly seven years. Il bianco e dolce cigno The Gentle White Swan is perhaps his best-known work; given the frequency with which English madrigal composers adapted Italian models, it seems likely to have inspired the most famous of all English madrigals, Gibbons' "The Silver Swan. The text draws an extended analogy between the gentle swan, who is thought to sing only at the sorrowful moment of his death, and the poet who sings at the moment of a much sweeter "death," which he would like to experience a thousand times a day if possible. This elegant innuendo is matched by an utterly graceful musical setting.

Using the euphemism of death for orgasm, the speaker of the text compares the swans actual death against his euphemistic one. Silent throughout its life, the mute swan only sings in the final moments before its death. Despite being completely untrue, as a poetic image it is certainly very powerful and has remained so to the present day. Giovanni Guidiccioni To die blessed may actually have that literal meaning, especially in the Roman Catholic Italy, but in this case does not! Instead, it is a death full of joy and desire. In the opening phrase; only three voices sing.

Madrigal of the Week Jacques Arcadelt Il bianco e dolce cigno




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